Two of techno's most distinct current voices, and about 990K combined monthly listeners between them. Conrad Taylor is the German-American, New York-raised producer behind the official Columbia remix of ROSALÍA, Björk and Yves Tumor’s “Berghain,” with releases on Tomorrowland Music and a Tomorrowland debut this July. Juliet Fox has spent a decade building one of the most recognisable sounds in global techno, with 9M+ Spotify streams, releases on Drumcode, Filth On Acid, Kraftek and Armada, and her own imprint TREGAMBE. Together they go straight at the floor: a vocal hook that just says “rave with me” over and over, a four-on-the-floor kick and a bassline built to move a warehouse, with acid house running underneath it. Under three minutes, no wasted bars.
"Rave With Me" opens with a vocal that sets the whole track in motion: "rave with me," repeated until it drops into a four-on-the-floor kick and a bassline built to shake a warehouse. Conrad Taylor and Juliet Fox lean into acid house's raw, hypnotic core, the kind of sound that is finding its way back onto main festival stages.
That timing matters. Techno is having a real moment on the mainstream side, with Charlotte de Witte, Amelie Lens, Adam Beyer, and Reinier Zonneveld pulling festival-headliner numbers and heavy streaming attention. A track this direct, with a hook that sticks and a low end that carries a room, has a real shot with editors looking for something that plays both in the club and on a playlist.
Both artists are arriving with real momentum. Conrad Taylor's official remix of ROSALIA, Bjork and Yves Tumor's "Berghain" came out on Columbia, he has released through Tomorrowland Music and made his Tomorrowland debut this July after opening for Sara Landry, and he plays Seismic Dance Event and Lights All Night before the year is out. Juliet Fox brings 9M+ streams, Drumcode and Armada releases, her own TREGAMBE imprint and a live history that runs from Awakenings and Time Warp to a co-headline run with Carl Cox. Together that is roughly 990K monthly listeners walking into the record.
Target list supplied by The Orchard.
Juliet Fox is an Adelaide-born, Berlin-based DJ, producer, and label head who has built a defining voice in global techno. Her sound centers on hypnotic, driving productions wrapped around her own trippy, experimental vocals, a signature that's carried her past 9 million Spotify streams across releases on Drumcode, Filth On Acid, Kraftek, and a multi-release deal with Armada Music. In 2020 she launched her own imprint, TREGAMBE, which has since grown into a home for a wider community of producers including Michael Klein and Risa Taniguchi.
Her live show has taken her to Tomorrowland, Awakenings, Ultra Miami, Fabric London, DC10, Junction 2, and TimeWarp, along with a 2024 tour across Asia and Oceania and a co-headline run with Carl Cox. Her collaboration with Ramiro Lopez, "Come Closer," became a standout in Adam Beyer's DJ sets, cementing her presence among the genre's top tastemakers. Press coverage across international ticketing and event platforms has consistently described her as a commanding, standout force in the global techno scene.
Conrad Taylor is a German-American DJ and producer, born and raised in New York City and classically trained on piano. Before music he was a politician: elected to Binghamton City Council at 18, the youngest elected official in the country at the time. He left that behind for the rave, and has built one of the faster-moving audiences in techno, with 851K monthly listeners on Spotify and 118K on Instagram.
His official remix of ROSALIA, Bjork and Yves Tumor's "Berghain" came out on Columbia, and he has released through Tomorrowland Music, NCS, 146 Records and oury, often writing in German ("DIE TIEFE", "In Der Halle Des Technokoenigs", "mein schatz"). He made his Tomorrowland debut in July 2026 on the House of Fortune stage after opening for Sara Landry, and has shared stages with Armin van Buuren. He plays Ritter Butzke in Berlin on October 3, then Seismic Dance Event in Austin and Lights All Night in Dallas before the end of the year.